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HomeTheatrePinkwashing Islamophobia in Efficiency | HowlRound Theatre Commons

Pinkwashing Islamophobia in Efficiency | HowlRound Theatre Commons


Every landmark is written on the upstage wall because the efficiency progresses, displaying the map liberal society adopted because the West moved right into a cultural setting the place defending sexual freedom means one is a racist. The timeline begins with the case of the headteacher Ray Honeyford who was closely criticized for publishing an article within the Salisbury Evaluate lambasting Asian households for not integrating into British society, describing his college students as “bi-cultural youngsters.”

A performer quotes from the article while hopping from foot to foot. A number of different performers be part of the performer and mirror his actions as they channel Honeyford speaking in regards to the want for the Pakistani group to get “English jobs” and to study what it means to reside in a “free society.” The motion evokes the frantic power of kids enjoying with what DV8 considers a herd mentality frequent within the left which paralyzes independence of thought. The wedding of the choreography and the verbatim script additionally embodies what DV8 sees as Honeyford’s makes an attempt to handle the complexities of multiculturalism by all the problems within the spherical.

The “drawback” with Muslims not integrating into mainstream British tradition is a chorus working all through the efficiency, utilizing occasions such because the Salman Rushdie fatwa and the British authorities’s refusal to let the far-right Dutch politician Geert Wilders display screen his Islamophobic movie Fitna to argue that progressive tolerance is buying a distinctly authoritarian character. At no level does the efficiency ask if “tolerance” of otherness is a adequate type of liberation.

Nowhere within the efficiency is there area given for voices who could specific reputable criticisms of the West’s remedy of Muslims (notably after 9/11) and deeper constructions of racism permeating British society. Nowhere does DV8 acknowledge the historic context of phrases resembling “western values,” which in lots of elements of the world doesn’t imply common suffrage or humanitarianism, however colonial violence and capitalist exploitation. However most significantly, Can We Discuss About This? by no means considers how the marginalization of Muslims could present some sections of the Islamic group with a perspective that’s neither homophobic nor satisfied that the liberal-conservative understanding of freedom is as tolerant of Otherness as DV8 claims it’s.

DV8 aligns anti-racism with censorship to disavow the consequences of multiculturalism on free speech. This isn’t a brand new phenomenon. As way back as 1987, the sociologist Paul Gilroy noticed that anti-racism was being redefined as an assault on British id: “The proper to be prejudiced is claimed because the heritage of the freeborn Briton and articulated with the discourses of freedom, patriotism, and democracy whereas despotic anti-racism is related to authoritarianism, statism, and censorship.” The model of tolerance that DV8 espouses is racialized in Can We Discuss About This? by situating Muslims as outsiders who threaten mainstream tradition. The mainstream tradition the efficiency defends makes use of the social positive aspects made by homosexual and lesbian individuals as a trademark of western society’s superiority over Islam.

This isn’t to say that non secular perception ever justifies the hatred and persecution of homosexual and lesbian individuals or that difficult such bigotry is inherently racist. Certainly, DV8’s earlier efficiency in 2008, To Be Straight With You, successfully reveals the methods politicians and the police cite grounds of non secular freedom and cultural expression as an alibi for ignoring homophobia inside Christian and Afro-Caribbean communities. Verbatim acts as a robust type for homosexual and lesbian individuals from these communities to share their experiences of institutionalized prejudice masquerading as equality.

But Jasbir Puar’s concept of “homonationalism” complicates the narrative of homosexual rights being resistant to absorption into reactionary right-wing politics. Puar makes the very important level that not all LGBTQI+ equality actions imagine the nation state can increase to incorporate all marginalized peoples and so exclusion of an different is an inevitable a part of neoliberalism. The types this exclusion takes aren’t confined to the overt racism one sees on the far proper. 

Can We Discuss About This? is an effective indication that Newson sees the efficiency of freedom for homosexual and lesbian individuals as being analogous to that loved by straight {couples}. And so it’s, however solely for so long as these rightwing politicians and cultural actors who set the phrases of debate in most western societies deem tolerance of homosexuality to be suitable with their pursuits in upholding the cisheteronormative established order. At a extra elementary degree, Can We Discuss About This? represents the leveraging of homosexual rights by the suitable to manage how freedom is measured and represented in well-liked tradition.

Weaponizing Camp

“Gender ideology” and “vital race concept” have turn into set off phrases for conservatives, representing the degeneration of western civilization. The all-out assault by Republicans on our bodies of labor regarding the LGBTQI+ group and artists and thinkers of shade in the USA has been focused at library collections and college and college curriculums. In the UK, the far-right repeatedly protest exterior Drag Queen Story Time occasions whereas right-wing politicians and commentators argue such occasions are indoctrinating youngsters. Conservatives have turned the so-called proper to be offensive into the apotheosis of liberal freedom relatively than a method of criticizing the highly effective and defending the marginalized. Sure types of free speech, resembling TheDangerous Faggot Tour, are carried out to exclude, degrade, and in the end erase focused minorities from public discourse. 

Milo Yiannopoulos confirmed how the performances of “camp” might be mobilized to assist oppressive constructions. TheDangerous Faggot Tour represents the second when the web alt-right communities turned a political power in the USA. It was billed as a celebration of American greatness and free speech in defiance of the left who, Yiannopoulos claimed, management college campuses, media organizations, and each department of presidency.

What makes Yiannopoulos distinct from extra up to date figures of this reactionary ilk resembling Jordan Peterson is his homosexual id and camp persona. He would typically seem in flamboyant and elaborate costumes to bolster the stereotype of an “outrageous” homosexual provocateur. Typically he would costume as a building employee or in sequined blazers or in a prep faculty uniform with a shiny Make America Nice Once more cap. At a number of talks he wore police uniforms, on one event going as far as donning a stab vest.



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