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Black Theater IS Black Historical past – New York Theater


Ossie Davis, the creator and star of “Purlie Victorious” in 1961; Leslie Odom Jr, the star of the play’s revival in 2024. Rose McClendon, who made her Broadway debut in 1926; Audra McDonald, who made her Broadway debut in 1991 and has received extra Tony Awards than every other performer in historical past.

Beneath, in honor of Black Historical past Month, I as soon as once more current a gallery of theater created by Black New Yorkers over the past two centuries, as chronicled within the collections of the New York Public Library and the Library of Congress.

A flyer from the African Firm, the primary skilled Black theater group in America, which was based in 1820 and carried out on the African Grove, at Bleecker and Mercer Streets in downtown Manhattan. 

The theater’s founder, William Alexander Brown, is credited with having written the primary play by a Black author produced in America, “The Drama of King Shotaway,” based mostly on an riot by Black Caribbeans in opposition to the British in 1795 on the island of St. Vincent.

The theater additionally launched the profession of Ira Aldridge, who was born a free African American in New York in 1807 and went on to turn out to be one of many best Shakespearean actors of his time — though, because the African Grove was short-lived, his profession shortly shifted abroad. Over 4 many years, Aldridge toured extensively and to nice acclaim in Europe, (Adrian Lester portrayed him a decade in the past in a play entitled “Pink Velvet.“)

 William Wells Brown‘s ” The Escape; or, A Leap for Freedom was the primary recognized play by a Black playwright to be printed in america, in 1858.

Bert Williams in 1911, the yr he launched a profitable solo profession that included changing into the one Black performer solid yr after yr within the Ziegfeld Follies. Williams was, based on his good friend W.C. Fields, “the funniest man I ever noticed and the saddest man I ever knew.” Williams was in all probability the most well-liked African-American entertainer on the flip of the 20 th century, a person of many skills, and lots of firsts.He and his accomplice George Walker created 4 musicals on Broadway between 1901 and 1908, together with “In Dahomey,” 1903-1904, Above, Hattie McIntosh, George Walker, Ada Overton Walker, Bert Williams, and Lottie Williams carry out a cakewalk

Angelina Grimké, whose play Rachel, produced in 1916 and printed in 1920, considerations a younger lady who’s so horrified by racism that she vows by no means to deliver youngsters into the world. It was one of many first performs written by a Black creator about Black points.

Charles Gilpin within the stage manufacturing The Emperor Jones by Eugene O’Neill, 1920, a job that Paul Robeson would play within the film adaptation. (Gilpin’s profession is the topic of a current film, The Black Emperor of Broadway.)

A publicity nonetheless from “Shuffle Alongside,” a 1921 Broadway musical created by 4 Black males — it was composed by Eubie Blake, with lyrics by Noble Sissel and a guide by the comedy duo of Flournoy Miller and Aubrey Lyles — and that includes an all-Black solid, together with the Broadway debut of Paul Robeson, at age 23. ( George C. Wolfe remade the musical on Broadway in 2016 )

Paul Robeson within the 1924 Broadway manufacturing of “All God’s Chilun Obtained Wings” by Eugene O’Neill, and within the title position of “Othello,” in 1943

Langston Hughes’ play “Mulatto: A Tragedy of the Deep South, produced on Broadway in 1935, tells the story of a mixed-race boy’s self-acceptance after his white father rejects him.

The Harlem Renaissance was a fertile time for Black theater, climaxing within the dozens of productions by the “Negro Unit” of the Federal Theatre Undertaking within the 1930’s.

Theater throughout the Black Lives Matter explosion in 2020, obtainable then (since in-person theater was closed) solely on-line.

 

Performs on Broadway by Black playwrights within the 2022 to 2024 seasons have been a mixture of revivals and unique works. Above, clockwse from high left: “Topdog/Underdog,” the revival of Suzan-Lori Parks’ Pulitzer Prize successful play; “The Piano Lesson,” the revival of August Wilson’s Pulitzer Prize successful play; “Ain’t No Mo’,” by Jordan Eooper, marking the playwright’s Broadway debut at age 27; “Ohio State Murders” by Adrienne Kendy, marking the playwright’s Broadway debut at age 91, within the James Earl Jones Theater, one of many three Broadway theaters  (re)named after Black theater artists. 

Beneath. Within the present season,Jocelyn Bioh’s “Jaja African Hair Braiding,” a few group of West African immigrants to New York, was the primary Broadway present to make use of “African” in its title in 120 years; and a revival of Ossie Davis’s “Purlie Victorious,” which provides the subtitle “A Non-Accomplice Romp By way of the Cabbage Patch.” It ends its run on Broadway tomorrow.

Kara Younger, Heather Alicia Simms, Leslie Odom, Jr., Vanessa Bell Calloway, Billy Eugene Jones, and Noah Robbins


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